About me
I am originally from Gdańsk, yet Wrocław has always felt close to me — a city to which I am connected through family roots. It was here, in 2008, that I graduated with a degree in Design from the Faculty of Ceramics and Glass at the Eugeniusz Geppert Academy of Art and Design. I developed my practice in the diploma studio of Professor Przemysław Lasak, where I learned attentiveness to material, form, and process — values that remain the foundation of my work today.
I currently work with sculpture and ceramics. Drawing my deepest inspiration from nature— its rhythm, cycles, and quiet harmony — which I seek to carry into each of my creations. Nature’s changing yet enduring presence continues to teach me patience and simplicity, qualities I strive to preserve in my work.
For over a decade, I have been creating spatial forms across a range of scales and contexts — from small objects and commemorative pieces to sculptures situated in urban spaces, as well as works of a more monumental character. My projects include, among others, statues of saints commissioned by the Poor Clares Monastery in Kłodzko and sculptures created for a Buddhist temple in Darnków. I approach every project individually, with careful attention to the place it will inhabit and the story it is meant to express. It matters to me that each sculpture is lasting, thoughtfully grounded in its surroundings, and simply feels as though it belongs.
If you are considering the creation of a sculpture, you are warmly invited to get in touch.
Dwarves From The Forest Studio
Many years ago, during a time of personal search, I kept travelling along paths that led me beyond the city and toward a life closer to nature. It was here that my dwarf studio found its new home as well. Today, it is set among mountains, forests, and historic mines — and as the legends tell, these are the places dwarves favor the most, the landscapes they are said to inhabit.
At times, while wandering along woodland paths and through hidden nooks and crannies, I am fortunate enough to encounter these mysterious beings. Such brief, fleeting meetings always leave behind a trace of inspiration for future creations…
For me, creating dwarves is not only a sculptural practice but also an opportunity to meet remarkable people and listen to their stories — about places and the unique work that unfolds within them. Later, these narratives find their way into the design of each new dwarf. In my work, I bring together two worlds: the urban and the natural, the human and the dwarf-like.
The Birth of a Dwarf
Everything begins with a plasticine model, later recreated in wax — a faithful reflection of the sculpture-to-be. A mold is then formed, and during firing the wax melts away, leaving a hollow space ready to receive the molten bronze. Once the metal has cooled and solidified, the mold is broken, and from the dust emerges the finished casting — the moment when the dwarf truly enters the world.
The sculpture then undergoes further stages of refinement: details are carefully defined, surfaces smoothed, and the form gradually brought to completion. Finally, a patina lends color and depth, revealing the quiet nobility of the material.
Each dwarf is born through a process that calls for time, attentiveness, and artisanal precision — a layered craft, shaped with care at every step.
